8/23/2023 0 Comments Simon stalenhag electric state![]() Starting in the Mojave Desert, readers follow a young woman accompanied by a robot as she tries to reach an unknown destination, avoiding monstrous drones prowling through a crumbling society. The story is equal parts Wall-e and Matrix in a way that creates a sense of safety before cranking up the nightmare factor. ![]() If had been in the producer's chair The Electric State would have been rushed into production. His previous book Tales from The Loop has been made into an equally mysterious show for Amazon. Stalenhag is no stranger to the realm of science fiction thrillers. The world of The Electric State lives somewhere between the picture books of youth and graphic novels of adulthood. The pictures are part of the story, each picture flows along as if they were a page of words painted for the eyes. The art is not merely visualization of the words, but rather the next step in the story. Stalenhag perfectly weaves in the written word with huge splash pages to pull the reader into his world. That is exactly what Stalenhag has done with The Electric State. The best artists use their medium to keep the audience on the edge of their seats. Whether it's a family portrait or a big-screen blockbuster, all art tells a story regardless of the medium. ![]() Stalenhag takes readers into a broken world and shows us how dark our own could soon become if we aren't careful.Īrt is all about story. Within the pages is the picture book science fiction fans never knew they needed. The cover fuses together rusted dystopian machines with childish Disney-esque robots. The Electric State is not what you expect. (Sept.A teen girl and her robot embark on a cross-country mission in this illustrated scienceįiction story, perfect for fans of Ready Player One and Black Mirror. ![]() This quiet, sad adventure is an excellent and visually stunning addition to any graphic novel, art, or science fiction collection. Her birth mother was a drug addict, and her foster parents slowly gave in to the popular and widespread addiction to neurocasters, a virtual reality helmet that turns living people into shambling hordes and uses their minds to power large technological beings. Michelle’s recollections of her old life in negligent foster care and her rebellious adolescence with her girlfriend are accompanied by her observations of the current world. Stålenhag depicts the abandoned landscapes in realistic, beautiful illustrations. Michelle describes her journey with Skip, a yellow toy robot who behaves in a childlike but intelligent manner, as they travel slowly through a world pockmarked with deep scars from war. Interspersed with maps and quotes from an unseen narrator describing how the world got in this derelict state, the story is small, centering on the struggles of a lone girl, despite the epic backdrop of mountainous technology that dwarfs humans and their everyday lives. In this jaw-dropping science fiction artbook (originally crowdfunded and self-published), Stålenhag ( Tales from the Loop) brings to life a technologically ravaged Southwestern United States circa 1997 to accompany a melancholic story of a teenager traveling with her kid robot.
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